You CAN Teach an Old Dog!

Monday, November 18, 2024

It’s been a challenging last couple of knitting days. I’ll share the challenges with you in a bit but I want to also tell you about an exciting class that I took online yesterday with Janette Budge.

Janette is a knitwear designer in Shetland. Shetland is an island off the coast of Scotland and is known for its nearly treeless landscape, its free-roaming iconic Shetland sheep and its long history of hand-knitting. Janette told our class that her mother used to knit hundreds of colorwork sweater yokes each year onto machine knitted sweater bodies. The majority were knitted in the darker. months when there was less to do on the croft.

The class is to learn about picking colors for Fair Isle and to make a small knitted bag as a good way to swatch with our color choices. The first of this two-part classes was lots of talking about the traditional Shetland color pallets and how to choose colors for the background and the motif. It was fascinating! We have been given a pattern for the small bag that we’ll knit as our “swatch” and we have been encouraged to get a start knitting before our next class on Sunday.

After the class ended I pulled out my collection of Jamieson & Smith yarns to figure out what colors I have that will work on this design. I always like to use “bee” colors but I want it to really work in the Shetland manner. I first spread out all of my J&S yarns and organized them by color group. Since this bag doesn’t require a lot of yarn and, in fact, is perfect for using up bits and bobs of yarn which is typical of most knitters (and Shetland knitters only use Shetland yarns when knitting so they have a lot and they’re practical about using up all the little bits.) I wanted to use the colors that I’ve used previously since this is, technically, a swatch. So …

These are all of my attempts at making a color choice for my bag. I believe the last photo are my final choices using two or three background colors in the traditional white-yellow and then the motif colors in golds and browns with a pop of salmon. The base of the bag will be navy blue. The motif is a traditional star and tree and we were told to use two colors only if we’d never done stranded knitting and up to 9 colors if we had. I’ve got 9 but may use only 8. I will be emailing my choice to Janette for her counsel before I start knitting. I’ll let you know how I’ve done. (Crossing my fingers!)

This is my challenge from yesterday. I was happily knitting right along on the “Have You Seen My Octopus Hat” for a customer/friend and noticed this error. Can you see it? This is supposed to be a tentacle in a spiral and yet it’s got a couple of extra purple stitches that don’t belong. I considered leaving it and duplicate stitching blue over it but that didn’t last long as it’s not for me and I want it to be “right”. So, I frogged back to below the mistake and have been re-knitting since. I am reminded why I love Malabrigo Rios and why I don’t love it in colorwork projects. The stitches simply don’t “blend” in superwash yarns but it’s beautiful anyway. The hat has four repeats of the colorwork motif as you go around the hat and it’s easy enough to memorize what you’re doing in the subsequent sections and I can’t believe I added the two stitches, but there you are! I’m going to look at this project tomorrow in the light of day, early in the day, because I may have inconsistent stitch tension in the first few rounds … and that will mean that I am going to pull it all out once more and re-start. When someone buys a garment from me, they should know that it’s my best work. And I want only my best work to go out of my studio.

I am thoroughly enjoying the Arne & Carlos Christmas 2024 MKAL. We know it’s a Christmas stocking and once I got caught up to the MKAL, it’s been a very manageable 6 (or 12) rounds a day to keep up. I am loving this project in part because I love the yarn I’m using and it’s perfect for colorwork (not superwash and 100% wool). I’m using Juniper Moon Farm Patagonia Organic Merino. This stocking will likely be a decoration and not as a “real” stocking and it will match the 24 Advent Jumpers that I knitted in the last couple of years. I hope to get them hung up this year for the first time!

I’ve got a couple of other little projects on the needles, too. I sewed an advent calendar for my granddaughter and I’m filling the little pockets with treats and tiny toys (not too tiny, I promise!) In one of the pockets is a little hand-knit teddy bear and I’m knitting a pair of little socks in a new-to-me yarn by King Cole. It’s machine washable and dryable which is what my daughter wants to make their laundry a bit simpler. The socks are super cute. I’m using my Yankee Knitter pattern and knitting the child size. (They look HUGE!) I’m also knitting her Christmas sweater which she needs. Mom and Dad and Sylvie went to a Christmas themed restaurant in NYC last night and Sylvie wore last year’s sweater which is decidedly too small (but the Santa hat still fits!) She’s grown up so much in a year’s time!

Today, with any luck I’m going to start the sleeves on the sweater and tomorrow I’ll attack the Octopus hat. My car will be in the shop and I’m going to be stuck at home. Yay! I am always happy to be stuck at home because that means I have “nothing” to do and can spend the whole day in the atelier … or baking in the kitchen … or both.

Gone knitting.

Mary Jane Mucklestone!!!

The American Queen of Fair Isle Knitting, Mary Jane Mucklestone at the Farnsworth Museum in Rockland, Maine. Mary Jane is holding my knitting and balancing on one leg because her class sample is on her raised right leg! She does it all!

YOU GUYS!!! I took a class with Mary Jane Mucklestone!!!

Late last week, my co-worker, Glenda, shared with me that she was going to take a class at the Farnsworth with Mary Jane Mucklestone. Needless to say, I was hoping that my calendar and husband would be supportive of me doing the same … and that there would still be space in the class when I signed up! The knitting gods were smiling in my favor so on Saturday afternoon, Glenda and I, driven by my handsome hubby, went to Rockland!

Mary Jane is a wonderful and knowledgable teacher. The class was inspired by my friend and knitting idol, Katharine Cobey, who has a one woman show at the Farnsworth through April 12, 2020. Go see the show. It’s magnificent. I blogged about it here. Katharine made famous diagonal knitting and the class was a Fair Isle design based on “diagonal” knitting but the Fair Isle way. Mary Jane was kind enough to bring one pattern for her Flying Geese Cowl about which she had intended to teach the class. She also was inspired to design another cowl pattern very shortly (days) before the class was to happen and we also got that cowl. It is, as yet, unnamed.

Choosing Colors

We learned a lot about choosing colors when knitting in the Fair Isle way. We were to come to class with an inch or so of ribbing in a dark, high-contrast color. I chose an Ella Rae Classic Wool in a dark charcoal gray. (Details on all my yarns are on my Ravelry project page. Find me on Ravelry, I’m “lindar”.) I brought a bunch of leftovers from my stash in various colors that I like which you can see above. Since you don’t need a whole lot of any one color, in this case, I brought bits and bobs. We needed three colors to really have some fun and I finally chose the creamy white Galway worsted and the one right next to it which is an ice blue colorway in a Paton’s Classic wool. All three are worsted weight and plain old wool.

While we were knitting, Mary Jane serenaded us with stories and tales about her travels to and knitting from Fair Isle. She is a wonderful story teller and full of knitting knowledge. I really enjoyed listening to her talk. She brought TONS of samples of Fair Isle motifs, talked about and demonstrated how some yarn colors, shades and tones, play well together – or don’t. It was a wonderful day.

Glenda, my co-worker, has finished knitting her Flying Geese cowl and she was blocking it when we last spoke. I must be knitting too slowly. I am planning to finish my cowl today because we have a snow day today so it’s an unexpected “free” day to sit in my atelier to knit. I don’t think I have to tell you that both cowls are fun to knit and a good way to learn to knit with two colors at a time (and you don’t have to catch the floats!)

I offered and Mary Jane has accepted me as a test knitter for this pattern and I am happy to oblige. Deadline is 2/13/2020 … so I had best stop “talking” and go knit!

Gone knitting!

Proof. Fan girl photo! Thanks for obliging me, Mary Jane!

Transition – Ombre

I have a new garment, that I’m calling a Three Shades Cowl. I’m making it for a customer in New York State. She wanted a cowl similar to the silver one that I knitted up but we decided to knit it in three colors. You saw the three colors in the last post that I wrote (here.)

Thanks to Trebellaevents (dot) com for the photographic example of ombre!

All over the Internet, I’ve been seeing these ombre color transitions on garments and I wanted to try it on a knitted garment. Ombre, is a dip-dyed technique for garments, traditionally used with silks and other fine fabrics. It’s often called “ethereal” and today it’s also filtering into hair coloring and makeup. Google it … you’ll see what I’m talking about if you aren’t familiar with it. Suffice it to say, it’s a great color transition technique that I really like and could be awesome in knitting!

I started knitting the cowl a couple of days ago and got to the transition between the charcoal and denim colors and the transition is even more subtle than it appeared it would be. And I am loving it! The colors are very similar in shade, deep and gray in the case of the charcoal colored yarn. The denim is also a deep shade of blue but it has the tiniest bit of a silvery bit in the fiber. It’s a gorgeous color. And if I really think about the next transition to a silver, it’s going to be a really pretty cowl.

Subtle transitions are sometimes difficult to notice but the gradual changes are very interesting and I am looking forward to seeing how this cowl looks when it’s all “sewn” up! I love knitting and the little pleasures and surprises that I am given as garments develop. Sometimes the surprises are a bummer … and, like tonight, they are exciting.

Gone knitting!